Sharon Beavers. Photo by Tom Metcalfe
When I heard about the Hit Makers '92 Showcase, I didn't know what to expect. I wondered if it would be just another showcase of bands or whether something different was going to happen. The event, held at Jim Porter's on November 6, was organized by the Louisville Area Songwriters' Cooperative to give local songwriters the chance to have their songs performed by professionals, as well as the opportunity for both songwriters and musicians to meet with visiting A&R representatives in the hopes of securing a record contract.
The occasion attracted a throng of people, ranging from die-hard music lovers to a few who seemed to be there for anything but the music. As each original song was launched, I was surprised at what was taking place. There seemed to be a real interest in recognizing not only original music, but the songwriters behind them as well. Music took precedence above all else as songwriters and musicians seemed to come together and support each other. Each act performed not only their own songs, but those from members of the Co-op as well.
Fourteen acts descended on three stages, offering a variety of blues, rock, country and folk music. It was difficult to maneuver through the tightly packed crowd. Unfortunately, I was unable to catch all performances as many of the 30-minute sets overlapped.
The night started at a fast pace in The Ballroom when ROLLMOP took the stage and ignited the audience. Under the command of da Mudcats, the blues caught fire as Jim Rosen's husky growl intensified the energy (singer Susan O'Neill was absent from the event, having just left the band to devote more time to her family). The music of Karen Kraft & Kiks inspired everyone to hit the hardwood in a dancing fury. Country, possessed by a sharp southern temperament, infused Uncle Pecos' set, as they intoxicated with "Whiskey History"
The Melody Bar featured acoustical acts performing throughout the night. Exploring. The realm of ambition, Jackie Johnson passionately expressed life's experiences in a simple country style. Doc and Mary Dockery entranced with their song "Beacon Street," their voices emerging in exquisite harmonies. The room really came to life as Rusty Bladen furiously scorched the harmonica with his rousing blend of bluesy folk-rock. A favorite of the local music scene, Londa Crenshaw, playfully teased the crowd with her joking style in an attempt to enliven the room that had become somewhat subdued by midnight.
In The Good Time Room, the well-known R.U.O.K? set the mood for an energetic evening. Performing originals from their album "Movin' to the Country," the J.D. Black Band drove their hard-edged country home. The John Allen Band, with their new member, the magnetic Allen Rogers replacing Allen Peavler (good thing they're both Allens), smoked on the Moffett/Metcalfe/Walls spirited "Upright Lady." As Paul Moffett enthusiastically sang along, it struck me what this opportunity meant to the songwriters, since he was unable to conceal his delight on hearing his work performed.
Hit Makers '92 sizzled with a night of original music in Louisville. I don't know if any contracts resulted, but it doesn't matter. It gave us a glimpse at the music and performers that make the scene. More importantly, it showed this city's openness and support of the creative efforts of artists in the music industry.